問題詳情

請依下文回答第 42～46 題Author Michael Crichton’s follow-up to his best-selling novel was less a continuation of the original than a rewrite.It provided just two notions that excited Spielberg: the existence of a secret island where the DNA dinos had beencreated, and a set piece where a T. Rex tries pushing a trailer off a cliff after its babies are threatened by scientists. SoSpielberg and David Koepp, a screenwriter on Jurassic Park, fashioned a new story. The novelist was never consultedabout the sequel, nor was he sent a script until he held back approval of certain merchandising rights. But Crichton nowsounds sanguine. “When I write,” he says, “I have to have the book be exactly the way I want it to be, and that’s that. Thefilm will be exactly the way the director wants it to be. And that’s that.”Spielberg came up with the theme of The Lost World at the end of a meeting with Koepp. Spielberg said, “I’ve gotit! This movie is about hunters vs. gatherers.” Out of that epiphany unfolded the story’s central conflict about roguebusinessmen who are breeding dinosaurs for their San Diego theme park—a most dangerous game that backfires.Spielberg suggested that Koepp watch the 1925 film of Sir Arthur Conan Doyle’s The Lost World, which tells of anexpedition to a South American jungle habitat where dinosaurs still roam, and Howard Hawks’ Hatari!, starring JohnWayne as a safari hunter on a game preserve. Says Koepp “Hatari! probably influenced us more than any dinosaur moviedid.”
42 According to the passage, who is the director of The Lost World ?
(A) Michael Crichton
(B) Steven Spielberg
(C) David Koepp
(D) Sir Arthur Conan Doyle

參考答案

答案：B
難度：困難0.326087
統計：A(5),B(15),C(11),D(14),E(0)

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